American Casino presented by Table Rock Films, produced ...

'Pechanga Resort Casino hosts California’s American Indian and Indigenous Film Festival' One of the largest film festivals in the US with a focus on Native American and Indigenous stories will return to Pechanga Resort Casino and will feature full-length movies, documentaries, shorts

'Pechanga Resort Casino hosts California’s American Indian and Indigenous Film Festival' One of the largest film festivals in the US with a focus on Native American and Indigenous stories will return to Pechanga Resort Casino and will feature full-length movies, documentaries, shorts submitted by housecatspeaks to IndianCountry [link] [comments]

Accusations are flying after PBS shelved a documentary about alleged ties between American-owned casinos and Chinese organized crime

Accusations are flying after PBS shelved a documentary about alleged ties between American-owned casinos and Chinese organized crime submitted by Dorkside to television [link] [comments]

'American Casino': How Our Nation's Financial Sector Became a Massive and Unregulated Gambling Operation-- An incredibly powerful new documentary finally lets those who've lived it tell the story -- from the "creative" financiers to the home buyers duped by brokers.

submitted by therealjerrystaute to Economics [link] [comments]

American Casino - a new documentary by Leslie and Andrew Cockburn on the causes of the subprime mortgage crisis

American Casino - a new documentary by Leslie and Andrew Cockburn on the causes of the subprime mortgage crisis submitted by quakerorts to Documentaries [link] [comments]

[US Promotion] I would like to celebrate Thanksgiving by gifting you all books!

UPDATE: More books added by siffis and West1234567890 further down
If are late coming across this post then do not worry you can still message me your email for a book.
To celebrate my day off today and Thanksgiving tomorrow I would like to gift my audiobooks.
In order to recieve a free audiobook gift just message me any title (below) along with your email address. If you have not recieved a gift before then you will get the audiobook for free. More details here and here. I am in the US market (but I hear from Canada and UK that it still works).
Books crossed out are not available.
TITLE - AUTHOR (Ordered by author)

siffis has generously offered to include his collection. If you like any of the books below then message directly.

West1234567890 [Also added additional books below](https://www.reddit.com/audible/comments/k0s76n/us_promotion_i_would_like_to_celebrate/gdlwylu?utm_source=share&utm_medium=web2x&context=3).
submitted by BooksAreBelongToUs to audible [link] [comments]

Comprehensive "What to watch after Gomorrah ends?"

LETS KEEP THIS UP TO DATE (Updated 01/01/21)
A question we see multiple times a week in this thread...It's heartbreak for all of us. We itch and ache for something to fill that void in our lives after Gomorrah...Like addicts looking for our next hit. There's nothing exactly like it, but there are similar shows of similar quality. To hopefully avoid seeing this question in the future I went ahead and made a list with my personal show and movie suggestions...and then also a list with the most commonly mentioned when this question pops up.
If there's something you think I should add, just comment and I'll update this thread every day to keep our Mafia world engine running.
Please stick to the general "organized crime" theme for suggestions you may have. Not to be mistaken with the "police" theme.
WHERE TO WATCH (google these streaming sites)
Actvid (way less ads, if any. 1st choice by far. Especially to nube pirates)
FShareTV
Europixhd
Gustatv
Putlockers
FMovies
LosMovies
MOST POPULAR SUGGESTIONS (from other redditors)
Your Honor- Bryan Cranston, New Orleans, Mafia.
Love/Hate (Ireland)- Next on the watchlist.
Warrior- Wow...Just heard of it...just started...It's an Asian American "Banshee"...So ya. It's flipping awesome.
Suburra Blood on Rome
Romanzo Criminale
Mafia UnderCover (Solo)
1992 (Trilogy 1992, 1993, 1994)
The Last Panthers (Currently Watching 1st time)
4 blocks
Umbre
Sopranos
The wire
Mob City
McMafia
Top Boy
Dogs of Berlin
Gomorrah (Movie)
Snowfall
Undercover
Pusher Trilogy
Infernal Affairs Trilogy (Asian " The Departed")
Cocaine Coast
El Chapo
Black Souls
Outrage (Asian)
The Last Narc (Kiki Camarena Documentary)
New World (Asian)
Banshee- best hand to hand action show...ever?
The Ozarks
Aranyelet
Cocaine Coast
Surviving Escobar (Alias JJ)
OZ (HBO)
A Ciambre
Cannabis
MY SUGGESTIONS (Faster paced, modern, dark)
Boardwalk Empire - I would hope everyone has seen boardwalk by now. This is the closest you'll come to scratching that Gomorrah itch and a phenomenal show overall.
Narcos & Narcos Mexico - my number 1. One of only 2 shows I enjoyed more than Gomorrah
Zero Zero Zero -Ive gathered we've all seen it...lol.
Gangs of London - Could have been better, but the Gareth Evans fight sequences and overall direction of the show is solid.
Bad Blood - loosely based on Canada's most powerful crime family, the Rizzutos.
Giri/Haji - 10/10...but it's slow. Just a warning. An "episode a night" kind of show.
Peaky Blinders - British Gangs, British History, Tom Hardy, and Cillian Murphy?! Grab a pint you wanker.
The Ruthless -loosely based on Giuseppe Morabito's rise in the Ndranghata.
The Traitor - Thomaso Buscetta biopic and my own personal favorite mafia movie of all time.
Operation Odessa- One of the most entertaining and wildest documentaries I've ever seen.
Gotti (1996). The HBO movie is solid as hell. It pisses and takes a shit on John Travolta's Gotti.
Fear City: New York and the Mafia - incredible documentary detailing the fall of the 5 family bosses of the 80-90's.
Il Capo De Capi (Corleone)- a 6 part show that follows Salvatore Riina from the time he's a boy, to his demise.
Gangs of Wasseypur - my oddball pick and the only Indian movie I've ever seen. Indian coal gangs man...Shits intense and violent as hell. Warning...It's long as shit.
Piranhas - Rise of the new generation of young Camorra's. Great coming of age story.
A Prophet- Best Picture calibre foreign gangster gem.
Nameless Gangster (Korea) - It's one of those you just gotta try it if you're skeptical on Asian movies. Take a leap of faith.
Additional movies: Donnie Brasco, The Irishman, Casino, Departed, City of God, American Gangster, Triad Election.
submitted by Gorndog92 to Gomorrah [link] [comments]

'American Casino': How Our Nation's Financial Sector Became a Massive and Unregulated Gambling Operation-- An incredibly powerful new documentary finally lets those who've lived it tell the story -- from the "creative" financiers to the home buyers duped by brokers.

'American Casino': How Our Nation's Financial Sector Became a Massive and Unregulated Gambling Operation-- An incredibly powerful new documentary finally lets those who've lived it tell the story -- from the submitted by therealjerrystaute to politics [link] [comments]

“AMERICAN CASINO”—A Terrific Documentary Chronicling the Subprime-Mortgage Mess and the Financial Collapse of the Past Two Years --The New Yorker

submitted by hortensius23 to reddit.com [link] [comments]

American Casino - Documentary Investigates Roots of the Subprime Mortgage Meltdown and Tells the Stories of Its Victims

submitted by bubble_bobble to reddit.com [link] [comments]

American Casino & Let The Pitchforks Do Their Job - Andrew Cockburn talks with The Real News about his documentary film exposé of the subprime mortgage crash and scandal, how the system works, and corruption both in politics and on Wall Street: "American Casino".

American Casino & Let The Pitchforks Do Their Job - Andrew Cockburn talks with The Real News about his documentary film exposé of the subprime mortgage crash and scandal, how the system works, and corruption both in politics and on Wall Street: submitted by vradul to economy [link] [comments]

Every movie I watched in 2020

My wife and I started writing down every movie we watched at the start of 2020, and tracked dates watched, genres, and "venue" (streaming service, theater, TV, etc. -- the height of the "theater" bar on the graph tells the whole story of 2020 for me). Also every time either of us said "we should watch " we added it to a list to watch later. And though we have our favorite movies that we watch over and over again, we agreed not to watch any movie twice all year.
Executive summary:
Count Date Day Title Venue Genre
1 1/1/2020 Wed Whiplash Apple Drama
2 1/10/2020 Fri 1917 Theater Drama
3 1/11/2020 Sat Wonder Boys Amazon Drama
4 1/12/2020 Sun District 9 BD Sci-Fi
5 1/19/2020 Sun Team America: World Police Apple Comedy
6 1/20/2020 Mon The Old Man and the Gun HBO Drama
7 1/25/2020 Sat The Gentlemen Theater Drama
8 1/25/2020 Sat In Bruges Apple Comedy
9 1/31/2020 Fri General Magic Apple Documentary
10 2/1/2020 Sat Bad Boys for Life Theater Action
11 2/2/2020 Sun The Hunger Games TV Adventure
12 2/2/2020 Sun The Hunger Games: Catching Fire TV Adventure
13 2/5/2020 Wed The Hunger Games: Mockingjay Pt. 1 TV Adventure
14 2/6/2020 Thu The Hunger Games: Mockingjay Pt. 2 TV Adventure
15 2/7/2020 Fri No Country for Old Men BD Drama
16 2/8/2020 Sat Booksmart Apple Comedy
17 2/9/2020 Sun The Big Sick Apple Comedy
18 2/14/2020 Fri Thor: Ragnarok Disney+ Action
19 2/15/2020 Sat Guardians of the Galaxy Disney+ Action
20 2/19/2020 Wed The Devil Wears Prada Plane Comedy
21 2/21/2020 Fri Downhill Theater Drama
22 2/26/2020 Wed La La Land Apple Musical
23 2/29/2020 Sat The Big Short Apple Drama
24 3/1/2020 Sun The Godfather Part II Apple Drama
25 3/13/2020 Fri The Shawshank Redemption Netflix Drama
26 3/15/2020 Sun Serenity Apple Sci-Fi
27 3/21/2020 Sat Deadpool Apple Action
28 3/26/2020 Thu Shazam! HBO Comedy
29 3/27/2020 Fri Ex Machina Netflix Sci-Fi
30 3/28/2020 Sat Forrest Gump TV Drama
31 3/28/2020 Sat Back to School TV Comedy
32 3/29/2020 Sun Scott Pilgrim vs. The World Apple Comedy
33 4/3/2020 Fri The American President TV Drama
34 4/5/2020 Sun Three Billboards Outside Ebbing, MO Apple Drama
35 4/10/2020 Fri Bad Words Apple Comedy
36 4/11/2020 Sat Parasite Hulu Drama
37 4/16/2020 Thu Robin Hood Disney+ Comedy
38 4/19/2020 Sun Blade Runner 2049 Apple Sci-Fi
39 4/26/2020 Sun O Brother, Where Art Thou? Apple Comedy
40 4/29/2020 Wed Bad Education HBO Drama
41 5/1/2020 Fri Forgetting Sarah Marshall Apple Comedy
42 5/2/2020 Sat The Man from UNCLE Apple Action
43 5/9/2020 Sat Joker Apple Drama
44 5/10/2020 Sun When Harry Met Sally TV Comedy
45 5/16/2020 Sat The Way Back Apple Drama
46 5/17/2020 Sun Hell or High Water Apple Drama
47 5/18/2020 Mon Good Boys HBO Comedy
48 5/21/2020 Thu The Holiday TV Drama
49 5/22/2020 Fri Chef Apple Comedy
50 5/24/2020 Sun The Accountant Apple Action
51 5/28/2020 Thu Uncut Gems Apple Drama
52 5/29/2020 Fri Smoke Signals Apple Comedy
53 5/31/2020 Sun Hustlers Showtime Drama
54 5/31/2020 Sun Casino Royale BD Action
55 6/6/2020 Sat Making Waves Apple Documentary
56 6/11/2020 Thu Ford vs. Ferrari Apple Drama
57 6/12/2020 Fri Goodfellas Apple Drama
58 6/13/2020 Sat Mary Poppins Apple Musical
59 6/14/2020 Sun The Martian Apple Sci-Fi
60 6/18/2020 Thu Sideways Apple Drama
61 6/26/2020 Fri Cloudy with a Chance of Meatballs BD Comedy
62 6/28/2020 Sun Brittany Runs a Marathon Amazon Comedy
63 7/2/2020 Thu Knives Out Amazon Drama
64 7/3/2020 Fri Minority Report Showtime Sci-Fi
65 7/4/2020 Sat Garden State Apple Comedy
66 7/5/2020 Sun The Rookie Disney+ Drama
67 7/9/2020 Thu A League of Their Own Apple Comedy
68 7/11/2020 Sat Grosse Pointe Blank Apple Comedy
69 7/14/2020 Tue Almost Famous Apple Drama
70 7/16/2020 Thu Sicario Apple Drama
71 7/18/2020 Sat Innerspace HBO Sci-Fi
72 7/19/2020 Sun School of Rock Apple Comedy
73 7/20/2020 Mon The Birdcage TV Comedy
74 7/22/2020 Wed Long Shot HBO Comedy
75 7/23/2020 Thu True Grit Amazon Drama
76 7/24/2020 Fri Eurovision Song Contest: The Story of Fire Saga Netflix Comedy
77 7/26/2020 Sun Ocean's 11 BD Drama
78 7/31/2020 Fri Sneakers Apple Drama
79 8/1/2020 Sat Ghostbusters Theater Comedy
80 8/7/2020 Fri The Guard Apple Comedy
81 8/8/2020 Sat The Princess Bride Apple Comedy
82 8/9/2020 Sun An American Pickle HBO Comedy
83 8/13/2020 Thu Baby Driver Apple Action
84 8/14/2020 Fri Mallrats Apple Comedy
85 8/18/2020 Tue Vivarium Amazon Drama
86 8/20/2020 Thu Rocketman Amazon Drama
87 8/21/2020 Fri Birds of Prey: Harley Quinn HBO Action
88 8/22/2020 Sat The Prestige Apple Drama
89 8/28/2020 Fri Star Wars: The Phantom Menace Disney+ Fantasy
90 8/29/2020 Sat Cosmos Apple Sci-Fi
91 8/31/2020 Mon Star Wars: Attack of the Clones Disney+ Fantasy
92 9/5/2020 Sat Star Wars: Revenge of the Sith Disney+ Fantasy
93 9/9/2020 Wed Bohemian Rhapsody HBO Drama
94 9/6/2020 Sun Solo: A Star Wars Story Disney+ Fantasy
95 9/7/2020 Mon Bill and Ted Face the Music Apple Comedy
96 9/11/2020 Fri Rogue One: A Star Wars Story Disney+ Fantasy
97 9/12/2020 Sat Star Wars: A New Hope Disney+ Fantasy
98 9/13/2020 Sun Star Wars: The Empire Strikes Back Disney+ Fantasy
99 9/14/2020 Mon The House Bunny Amazon Comedy
100 9/17/2020 Thu Star Wars: Return of the Jedi Disney+ Fantasy
101 9/23/2020 Wed Swingers Showtime Comedy
102 9/24/2020 Thu Morning Glory Showtime Comedy
103 9/25/2020 Fri The Silence of the Lambs Showtime Drama
104 9/26/2020 Sat Star Wars: The Force Awakens Disney+ Fantasy
105 9/27/2020 Sun Star Wars: The Last Jedi Disney+ Fantasy
106 10/2/2020 Fri Star Wars: The Rise of Skywalker Disney+ Fantasy
107 10/7/2020 Wed The Nice Guys HBO Comedy
108 10/9/2020 Fri Away We Go Apple Comedy
109 10/17/2020 Sat Indiana Jones and the Raiders of the Lost Ark Netflix Adventure
110 10/23/2020 Fri The Way I See It TV Documentary
111 10/24/2020 Sat Indiana Jones and the Temple of Doom Netflix Adventure
112 11/1/2020 Sun Indiana Jones and the Last Crusade Netflix Adventure
113 11/7/2020 Sat Indiana Jones and the Kingdom of the Crystal Skull Netflix Adventure
114 11/15/2020 Sun Who Framed Roger Rabbit TV Comedy
115 11/20/2020 Fri Pick of the Litter Netflix Documentary
116 11/27/2020 Fri The Royal Tenenbaums Amazon Comedy
117 11/28/2020 Sat Birdman Apple Drama
118 11/29/2020 Sun Guardians of the Galaxy Apple Action
119 12/4/2020 Fri Constantine HBO Drama
120 12/6/2020 Sun Paddington 2 Apple Comedy
121 12/6/2020 Sun Batman Begins BD Action
122 12/11/2020 Fri The Dark Knight BD Action
123 12/12/2020 Sat Happiest Season Amazon Comedy
124 12/12/2020 Sat Last Holiday TV Comedy
125 12/12/2020 Sat Wall-E Apple Comedy
126 12/14/2020 Mon Good Morning Christmas TV Comedy
127 12/15/2020 Tue The Hunt Apple Comedy
128 12/19/2020 Sat Christmas in Vienna TV Drama
129 12/20/2020 Sun Die Hard HBO Action
130 12/23/2020 Wed Love Actually Apple Comedy
131 12/23/2020 Wed Harry Potter and the Prisoner of Azkaban Apple Fantasy
132 12/24/2020 Thu The 12th Date of Christmas TV Comedy
133 12/24/2020 Thu Harry Potter and the Goblet of Fire Apple Fantasy
134 12/25/2020 Fri Harry Potter and the Half-Blood Prince Apple Fantasy
135 12/25/2020 Fri Mr. and Mrs. Smith BD Action
136 12/26/2020 Sat Harry Potter and the Deathly Hallows Pt. 1 Apple Fantasy
137 12/26/2020 Sat Harry Potter and the Deathly Hallows Pt. 2 Apple Fantasy
138 12/27/2020 Sun The Hitchhiker's Guide to the Galaxy BD Comedy
139 12/28/2020 Mon Christmas at the Plaza TV Drama
140 12/29/2020 Tue Moneyball BD Drama
141 12/30/2020 Wed Wonder Woman 1984 HBO Action
142 12/31/2020 Thu The Lord of the Rings: The Fellowship of the Ring Apple Fantasy
submitted by poopsocker to movies [link] [comments]

Il mio viaggio nella storia del cinema: dal 1960 al 1964

Sono quasi al termine della mia carrellata nella storia del cinema, perché attualmente mi sto godendo la visione dei film del 1969, nice, e ne avrò certo per 2 mesi. Quindi col prossimo post mi metto in pari, ma intanto ecco qualche spunto per questi 5 bellissimi anni di cinema che sono la prima metà degli anni '60.
1960
Di quest’anno ho visto 275 titoli e ho dato almeno un 8 a 47 film, è un grande anno di cinema ma ne segnalo giusto 5, e tutti italiani! E per complicarmi la vita non parlo né della Dolce Vita, né dell’Avventura, né di Sordi e nemmeno della Ciociara. Mi sono piaciuti? Certo che sì, perché a qualcuno no?
Era notte a Roma” di Rossellini mi piace tantissimo. Intanto è il mio film preferito con Giovanna Ralli, che prima della Ferilli c’era lei, e poi c’è Leo Genn (Petronio di Quo Vadis?), il mio beniamino Renato Salvatori e in un ruolo commovente il russo Sergey Bondarchuk, il quale tra l’altro nel 1959 aveva diretto e interpretato l’intenso e ottimo “Il destino di un uomo”. Torniamo alla Ralli che in piena WWII vive in una casa all’ultimo piano di un palazzo ed escogita gli espedienti del caso per portare a casa un po’ di zucchero, del vino o della pasta. Siccome è sveglia, i partigiani la scelgono per ospitare in gran segreto tre soldati alleati su in soffitta. La Ralli si ribella ma alla fine fa il suo dovere, e i 3 sono al sicuro. Per accedere al soffitto c’è un passaggio segreto dietro l’armadio (Anna Frank mi viene in mente), e i 3 diventano amici tra loro e amici suoi. Ora però il problema è che siamo in guerra e che è un film di Rossellini, non di Walt Disney. Quindi tenetevi pronti.
Adua e le compagne” invece è un gran cast al femminile capitanato da Simone Signoret con il buon supporto di Emmanuelle Riva e Sandra Milo. Molto prima di “Ciro! Ciro!” la Milo era attrice di culto degli anni ’60, e non solo in mano a Fellini. In quest’anno per esempio è accanto a Lino Ventura in “Asfalto che scotta”, per dire. Certo è la Milo, la voce è quella, la figura è quella, la verve anche. Qui hanno da poco chiuso le case chiuse e sfrattato le Signorine che le popolavano. Signoret decide quindi di mettersi in affari e avviare una trattoria in un casolare di periferia insieme alle amiche. Faranno a turno in cucina e ai tavoli, e magari se qualche cliente vuole qualche massaggio, perché no? L’idea funziona e la trattoria va bene, ma le amiche cominciano a voler cambiare vita, o si rendono conto che in realtà non possono. Ci sono quindi 4 reazioni diverse causate dagli eventi che si susseguono. È un film in cui si sorride e che ti dà un po’ di malinconia, ma si sente l’odore di frittata, di cipolla, di basilico.
Dolci inganni” di Lattuada è il primo film che ho visto con Catherine Spaak. Per me la Spaak era una presentatrice tv. Da ragazzo guardavo Harem, o anche Forum quando lo presentava lei. Sì, sapevo che aveva recitato, ma non ci avevo mai fatto caso veramente, mi aspettavo un paio di film senza pretese. Invece, anno dopo anno nel mio percorso cronologico mi accorgo che nella prima metà degli anni ’60 la Spaak aveva i ruoli migliori, era bellissima, brava e tra le attrici più famose. È stata una rivelazione per me. Teniamo presente che la Spaak aveva nel 1960 solo 15 anni. Era bravissima! Per l’età che aveva spesso aveva parti alla Lolita. Qui ad esempio è attratta da un amico di famiglia che ha quasi 40 anni. La Spaak era seducente, fresca, intrigante. Gran sorriso. Questo film e anche altri successivi mi sono parsi modernissimi: la settimana prima vedi le attrici americane con le gonne a campana e il filo di perle del dado Knorr, la settimana dopo c’è la Spaak che flirta con un architetto. Magnifica.
La maschera del demonio” è uno dei film del filone italiano horror. Quando leggo horror penso al sangue e alla motosega elettrica, quindi non faccio una faccia contenta, mi stufo. Però a fine anni ’50 si attiva questo piccolo genere in cui emergono mostri e vampiri che in breve si afferma e crea uno stile invidiato ovunque. Sì, qui una donna viene uccisa con una maschera piena di chiodi acuminati, ma non devi metterti le mani davanti agli occhi perché fa troppo impressione. C’è il giusto bilanciamento tra suspence, storia, effetti speciali e ridicolaggine. Non sono film di livello A+ però sono veramente tipici di quest’epoca, ti fanno capire meglio di altri il gusto di chi andava al cinema in questi anni e per questo per me sono interessanti.
Rocco e i suoi fratelli” è un film che voglio rivedere, ma non so quando sarò pronto per rivederlo. Quest’impressione me la fanno pochi film, quelli che mi colpiscono così in profondità che devo prepararmi psicologicamente alla visione successiva, e anzi devo prima capire se voglio affrontarla. Schindler’s list, Se7en, Casino e Full Metal Jacket sono altri film che mi hanno fatto lo stesso effetto. Dunque qui abbiamo una famiglia di emigrati che va a vivere in un seminterrato a Milano. Sono tanti in poco spazio e si arrangiano. La matriarca è l’ottima Katina Paxinou che capisce e gestisce con pochi sguardi. I figli sono Rocco e i suoi fratelli. C’è qualcosa di buono in questi ragazzi, ma c’è anche la vita in agguato. Le strade che prendono sono forse prevedibili se vogliamo, ma questo le rende anche più tragiche. Una donna entra nella vita dei fratelli Alain Delon e Renato Salvatori. Ora, c’è una scena in cui Alain Delon è disteso sul letto, un po’ sbilenco, con lo sguardo rivolto verso la telecamera, e quella scena è indelebile nella mia memoria, è come se Visconti mi sussurrasse all’orecchio quello che vuole dire. Ma ovviamente il dramma che si consuma tra Salvatori e Girardot è ovviamente il cuore del film ed è la scena che non voglio mai più vedere, perché nel farlo perderebbe forse la carica di sorpresa, sgomento, emozione che mi ha trasmesso la prima volta e ci resterei male, o peggio ancora mi renderebbe ancora più sorpreso, sgomento ed emozionato della prima volta, e ci resterei secco.
1961
Di quest’anno ho visto 250 titoli, e 45 hanno preso almeno 8. Compresso tra due anni fantastici, il 1960 e il 1962, qui mi esalto meno, ma ci sta.
Madre Giovanna degli angeli” di Jerzy Kawalerowicz è uno di quei film che ti fa sentire figo e intellettuale già solo a pronunciare il nome del regista, ma il punto è che mentre scrivo queste righe ho in mente la scena della suora posseduta dal demonio che spalle al muro fronteggia il giovane sacerdote inviato nel convento a indagare, e capisco che quest’immagine così potente è scena da grandi film. Tutto il film è inquietante e malato, intanto sembra più vecchio di quello che è, pare realizzato negli anni ’40, il che secondo me aggiunge disagio alla visione. Però negli anni ’40 alcune scene sarebbero state solo abbozzate e il film avrebbe avuto un diverso impatto. Il prete scoprirà come mai il demonio ha preso possesso del convento?
L’anno scorso a Marienbad” di Alain Resnais è un film che non ci ho capito niente. Lo confesso. Tuttavia, mentre lo guardavo con estrema perplessità ne restavo ugualmente affascinato. Come un bimbo che è schifato da uno scarafaggio spiaccicato sul pavimento e però vuole vederlo ancora più da vicino, più passavano i minuti e più cercavo di capire dove voleva andare a parare Resnais, più mi arrendevo e mi lasciavo ipnotizzare. Alla fine non mi interessa se non ci ho capito niente, so solo che per un’ora e mezza sono stato preso e portato in un altro posto e ho visto qualcosa che non avevo mai visto prima. Per cui, mi è piaciuto.
La primavera romana della signora Stone” di José Quintero invece è un bel melodramma. C’è una signora che fa un viaggio a Roma e si imbatte in un giovane gigolò. Tutto qua ma attenzione: lei è Vivien Leigh e lui Warren Beatty. La Leigh aveva 50 anni mentre Beatty 25. Lei era una rosa conservata tra le pagine di un vecchio diario, lui è il rumore dell’acqua del mare sugli scogli; nello sguardo di lei ci sono tante risposte, quello di lui ti fa fare mille domande. Bellissima e tormentata la Leigh nel suo penultimo ruolo, bellissimo e spavaldo Beatty nel suo secondo ruolo: combinazione da non perdere.
I peplum andavano tanto a inizio anni ’60. Cinecittà era invasa da sandali, toghe, Circi e Meduse. L’epoca d’oro di questo genere è quella che va dal 1958 al 1963 circa. Per ogni Marvel di oggi c’erano 2 Ursus all’epoca. Sansone, Argonauti, Macisti contro Zorro e assurdità del genere. Grandi massi di polistirolo, matrone romane coi capelli stile Jackie Kennedy, ave Cesari e muscoli luccicanti, la gente adorava i peplum. Tante erano le star di questo genere che però non riuscirono a farsi un nome al di fuori. Tutto finì probabilmente con 2 film e cioè la Caduta dell’impero Romano, che fu un fiasco, e Cleopatra, che mandò il genere in burnout e dopo nessuno ne voleva più sentire parlare.
I musicarelli, a loro volta, erano un genere tipico degli anni ’60, In realtà si estendono più o meno dal 1958 al 1972, ma trovano l’apice coi vari Gianni Morandi, Rita Pavone, Caterina Caselli e Little Tony, quindi verso il 1964-67. Bisogna considerare che da Modugno in avanti i canzonettisti dei primi anni ’50 erano già surclassati. Andavano ora gli urlatori. Nasce una generazione di artisti fortunatissima, che in gran parte ancora oggi ha largo seguito, basti pensare a Mina, Vanoni, Celentano, che si affacciano volentieri al cinema di quegli anni. I musicarelli si somigliano: ci sono giovani protagonisti il cui amore è osteggiato dalle famiglie o giovani di talento che cercano di farsi strada nel mondo della canzone. Questi sono i temi. I primi musicarelli sono sequenze di canzoni intercalati da qualche scena con Nino Taranto onnipresente, i successivi sono un po’ più maturi e le canzoni sono più integrate con le storie. Per esempio quelli con Morandi sono così. Verso la fine degli anni ’60 c’era già invece un cambiamento nel gusto sia musicale sia proprio culturale, e si vede che il genere sta per arrivare al capolinea.
1962
Quanto mi piace quest’anno di cinema! Forse è il mio preferito di sempre? Ne ho visti 254 di titoli e ho dato almeno 8 a ben 81 titoli. Secondo me è perché non mi aspettavo che mi piacesse così tanto, provo a spiegare. Quando ero ragazzino io i protagonisti del cinema italiano di questi anni mi sembravano così vecchi e antiquati, che a prescindere io non li amavo e mi rifiutavo di vedere questi film. Sapete come succede coi ragazzi, per loro una moda di 3 mesi fa è archeologia. Quindi quando in tv uscivano Manfredi, Tognazzi, Gassman, Sordi, Mastroianni & co, sbruffavo e dicevo uff che palle e me ne andavo a giocare al Commodore64. Questa è la mia epoca. Ora, trascorsi 40 anni, fedele al mio proposito di guardare di tutto senza preconcetti e con gli occhi di chi vede per la prima volta questi film, resto sorpreso: siamo in un’epoca d’oro del cinema italiano e non solo: le città, le auto, gli abiti, i modi di dire, i gesti degli attori di tutti gli anni ‘60, mi riportano flash dei miei genitori, dei miei nonni, delle persone che vivevano negli anni prima che nascessi io. È come assaporare momenti di una vita che non hai potuto vivere, è bello! Queste cose di cui sto blaterando hanno senso solo a livello personale, certo, d’altra parte questa rassegna “è personale” e non ha la pretesa di indicare quanto oggettivamente di meglio sia uscito in questi anni. Tenuto a mente ciò ecco 5 titoli, giusto per non fare impazzire la scrollbar di chi legge. E lo so che non ho messo Sorpasso, Baby Jane, Antonioni, Kubrick, Frankenheimer e Gregory Peck.
L’angelo sterminatore” di Bunuel è sorprendente. Questo regista aveva iniziato molto tempo prima, 33 anni, col corto d’avanguardia “Un cane andaluso”, quello della lametta negli occhi per intenderci. La sua fase surrealista è importante però mi intriga meno. Dopo un lungo periodo di titoli passati in secondo piano, negli anni ’50 comincia a girare film tra virgolette più classici. Il Bunuel degli anni ’60 per me è a livelli eccezionali. Nell’angelo sterminatore c’è un ritrovo con molte persone che bevono e conversano e flirtano e si disprezzano a vicenda. Ogni volta che qualcuno prova a andar via cambia idea, o viene bloccato, o succede qualcosa di strano per cui non riesce. All’inizio nessuno ci fa caso, ma col passare delle ore inizia a montare l’ansia perché è chiaro che sono tutti intrappolati, come in una sorta di incantesimo. Man mano scarseggia il cibo, l’acqua, e la volontà cede: non riescono ad andar via, sono in gabbia, intrappolati. Il titolo, e il motivo per cui questo succede ognuno lo deve capire da solo.
Anna dei miracoli” non ha niente a che vedere con le aureole ma è la storia molto commovente di una ragazza con gravi disabilità e della sua maestra, che sono Patty Duke e Anne Bancroft. Mentre per tutti la ragazza non è che un caso umano da trattare praticamente solo col pietismo, per la Bancroft è un essere umano capace di comprendere e apprendere, che va educato e a cui bisogna dare delle regole per il suo bene. La sfida che ha davanti la Bancroft è tremenda, perché per ottenere pochissimi risultati ci vogliono settimane di lotte. Il film è una grande prova di attrici, entrambe spettacolari. C’è una lunghissima sequenza nella sala da pranzo, quando Patty Duke si rifiuta di mangiare in ordine e la Bancroft si ostina a insegnarle come fare, che ti lascia senza fiato.
L’uomo senza passato” è un film di un regista francese, Bourguignon, con un protagonista tedesco e cioé Hardy Krueger, e una ragazzina talentuosissima, Patricia Gozzi. Hardy è un veterano, che soffre di amnesia in seguito agli choc subiti in guerra, e vive una vita solitaria e malinconica. Un giorno incontra una ragazzina con la quale stringe un rapporto di amicizia. Lei è sola e ha bisogno di una figura paterna, lui è solo e ha bisogno di sentirsi utile e di voler bene a qualcuno. C’è tanta tenerezza in questo film, e malinconia. Per quanto solo a leggere di un’amicizia tra un veterano e una ragazzina molti subito possono pensare a risvolti poco piacevoli, qui non è mai in discussione l’eventualità che possa succedere qualcosa di male alla ragazzina. Kruger è un gran attore che rifiutò anche una nomination ai Golden Globe ai suoi tempi. La Gozzi a mio parere è tra le migliori baby star di sempre. Al suo attivo solo 6 film nei quali però è sempre formidabile.
L’odio esplode a Dallas” è un film di Roger Corman con William Shatner prima che finisse sull’Enterprise. Shatner non è mai stato uno di quei attori per cui ci si strappa i capelli, ma è bello vederlo in un ruolo diverso da quello a cui siamo abituati. Questo film è bello perché ti sorprende, siamo dopo tutto in piena fase di integrazione razziale, che nonostante Rosa Parks o MLK era ben lungi dal verificarsi compiutamente. Questo film ti mostra un lato del razzismo violento e intenso con gli occhi dell’epoca, senza voler fare troppe morali o senza intenti puramente educativi. Qui c’è l’odio razziale, le croci che bruciano, le scuole per soli bianchi, l’incitazione alla violenza. È un film avanti per i suoi tempi.
Il lungo viaggio verso la notte” è un’opera teatrale trasportata al cinema per la gioia di Katharine Hepburn che così poteva avere per le mani pane per i suoi denti. I personaggi sono solo 4, una famiglia che si ritrova e che si rinfaccia le cose, si racconta le cose, si scopre, si allontana e si riavvicina. È uno di quei drammoni familiari in cui quando un personaggio dice qualcosa per ferire gli altri, ti tiri i piedi dall’imbarazzo. Si segue naturalmente volentieri perché i 4 attori sono tutti di primo livello. Oltre alla Hepburn c’è il veterano Ralph Richardson, c’è Jason Robards e c’è Dean Stockwell che era una baby star a fine anni ’40 e che è riuscito ad avere una lunghissima carriera. Nei primi anni ’60 Stockwell sembra quasi il fratello minore di James Dean. Pare che sul set facesse freddissimo per cui Stockwell si aiutava con l’alcool, al che la Hepburn era indignata, ma quando lo venne a sapere gli regalò una coperta.
1963
Sono ben 289 i titoli che ho visto, con 57 a cui ho dato almeno 8. I miei preferiti in assoluto sono 8 e mezzo e gli Uccelli di Hitchcock, ma scrivo 2 righe su altro.
Blow job” di Andy Warhol è una specie di documentario in cui vediamo il volto di un ragazzo e le espressioni che fa mentre fa sesso. I film di Andy Warhol per me sono veramente dei relitti di altri tempi. Certo negli anni ’60 Warhol era uno degli artisti di prima categoria, ma se parliamo dei suoi film e dei suoi documentari, non dei dipinti allora scusate un attimo. Ne ho visti un sacco e sinceramente non me ne importa niente se faccio la figura di chi non ha gusto o e non ne capisce, ma li trovo orribili, una lotta testa a testa con quelli di John Lennon e Yoko Ono, se è per questo. Mi volevo togliere lo sfizio di dirlo.
Il servo” di Losey, invece qui si ragiona, c’è Dirk Bogarde che entra a servizio nella casa di una coppia che ha i suoi alti e bassi. “Sì signore, certo signore, come desidera signore”. Col tempo, studiata bene la situazione e i caratteri dei padroni le cose cominciano a cambiare. “Se proprio crede signore, come meglio crede signore, appena riesco signore”. Più la coppia scoppia più Bogarde inizia ad avere la meglio nel suo braccio di ferro psicologico col padrone e i ruoli fatalmente si invertono. Bogarde si mette bello comodo in poltrona, e che sia il padrone a mettergli le pantofole, adesso. Questo personaggio è rimasto come forse il più memorabile dell’attore inglese prima della fase Visconti.
La ballata del boia” di Berlanga è il film che mi ha fatto dire “ok mi piace Nino Manfredi”. Per me fino a qualche anno fa era solo Mastro Geppetto, non è colpa mia. Invece negli anni ’60 Manfredi incarna l’uomo medio italiano meglio di chiunque altro. Tognazzi era uomo virile e dai grandi appetiti, Gassman era esuberante e pieno di cazzimma, Mastroianni era sensuale e fatalista, invece i ruoli di Manfredi erano quelli di persone che subiscono gli eventi, che subiscono il rapporto di coppia, che devono ingegnarsi per venire a capo delle cose. Era possibile immedesimarsi in Manfredi. In più era dotato di grande talento comico, anche nei ruoli tragici bastavano due espressioni per farti sorridere anche quando gli capitava di tutto, come in questo caso, in cui sposa una giovane il cui padre è un boia e per tradizione tocca al figlio ereditare il mestiere del genitore, quindi da un giorno all’altro Manfredi ora deve svolgere le esecuzioni dei detenuti, anche se non ha il pelo sullo stomaco. Divertente.
I gigli del campo” è uno dei tanti film degli anni ’60 con Sidney Poitier che si afferma come icona culturale assoluta. Questa storia semplice vede Poitier giungere per caso nei pressi di un piccolo convento. La madre superiora convince Poitier a lavorare per loro, hanno intenzione di ristrutturare un po’, ma Poitier aveva ben altri programmi. Alla superiora non interessa un bel niente dei programmi di Poitier perché se è lì, vuol dire che Dio l’ha voluto lì. Ne vengono fuori tanti dialoghi divertenti, Poitier fa la sua espressione come per dire “che pazienza che ci vuole con questa”, la superiora Lilia Skala è bravissima e in tutto ciò Poitier si affeziona alle suore e trova anche il suo scopo nella vita.
Nella prima metà degli anni ’60 la tv era ormai nelle case di tutti gli italiani, i quali amavano gli sceneggiati, Canzonissima, Mike Bongiorno e il telegiornale. Abbondano i documentari che mostrano i vari aspetti dell’Italia del boom, un Italia ancora molto eterogenea ma per questo tanto interessante da raccontare. Si possono trovare in giro tanti documentari come “Fazzoletti di terra” in cui due contadini si costruiscono le loro terrazze per coltivare sollevando una a una delle grosse pietre a mano. Una vita passata a spezzarsi la schiena. Poi ci sono le interviste sui temi d’attualità ad esempio “In Italia si chiama amore”, e i docu geografici che mostrano le costruzioni di dighe, dei tralicci per la corrente, di sopraelevate e autostrade, che io trovo assolutamente affascinanti. Andavano poi i cosiddetti Mondo film, che erano documentari su temi scabrosi, in genere erotismo e pornografia (tipo “Mondo di notte”, ma affrontavano anche altri temi, per esempio era scioccante “Mondo cane”. Per quanto riguarda gli sceneggiati della prima metà degli anni ’60 vanno citati almeno “La cittadella”, “Il mulino del Po” e “una tragedia americana”.
1964
Il 1964 è un altro anno strabiliante per me. Ho visto 372 titoli tra film, corti, documentari, serie tv. Ho dato 8 o più a 65 di questi. Questo è l’anno della famiglia Addams e di Vita da Strega, è quello in cui parte la serie di Angelica e va di moda Sellers, Ursula Andress, Julie Andrews, Louis de Funes e Gianni Morandi. Bette Davis e Joan Crawford si dedicano al mystery con sfumature horror e diventano famose le sorelle Dorleac: una morirà giovanissima, l’altra ancora oggi è conosciuta in tutto il mondo come Catherine Deneuve. Antonioni gira il suo primo e bellissimo film a colori, Connery è alle prese con Goldfinger prima, con la Lollo e con Hitchcock poi, e la rana in Spagna gracida in campagna. Trionfo per i primi spaghetti western e per Leone, emerge la Sandrelli mentre in declino Doris Day. Classico dei classici per Loren-Mastroianni in “Matrimonio all’Italiana”. Insomma un anno di infinite squisitezze.
Seven up!” è un’idea molto interessante: si tratta di documentare la vita di alcuni ragazzi a distanza di 7 anni. Il primo documentario esce quindi nel 1964, il secondo poi nel 1970 (14 anni), poi 1977 (21), 1984 (28), 1991 (35), 1998 (42), 2005 (49), 2012 (56) e 2019 (63 up). Con la regia di Apted, attraverso le interviste vediamo cosa è successo nelle vite di queste persone.
La caccia” di Manoel de Oliveira regista portoghese morto a 106 anni, è un corto in cui due amici decidono appunto di andare a caccia, ma senza fucili, così niente di male può succedere. Quando si dice il caso: uno finisce nelle sabbie mobili, e sta all’altro amico escogitare il modo per salvarlo.
La donna di sabbia” di Hiroshi Teshigahara è un Thriller nel quale un entomologo va a caccia di insetti in una zona desertica e finisce in una fossa nella quale c’è una capanna con una donna, che trascorre la vita a spalare sabbia, come in un supplizio di Tantalo, ogni santo giorno, per evitare di essere sepolta. L’entomologo è stato intrappolato lì affinché possa contribuire al lavoro della donna e trascorrere con lei il resto della vita. Come un insetto in trappola, l’uomo cerca in tutti i modi di scappare.
“L’uomo del banco dei pegni” è un film di Lumet con Rod Steiger, due garanzie insomma. C’è un ebreo che lavora in un banco dei pegni. Trascorre la sua vita a valutare gli oggetti che gli porta la gente, privato ormai di ogni emozione. Il suo giovane commesso non è niente per lui, i suoi clienti non sono niente per lui. Osserva gli oggetti, li stima al ribasso, ci mette l’etichetta e così passa la giornata. C’è una donna che prova a mostrargli segnali d’affetto: non è niente per lui. Quest’uomo respira, ma non è vivo. Pare che fosse uno dei ruoli preferiti da Steiger, attore dalle scelte molto coraggiose che negli anni ’60 spesso lavora con registi italiani, anche in piccole produzioni. Il film è pieno di sentimenti da scavare in profondità, che esplodono con violenza nella parte finale.
Zorba il greco” è l’amicizia improbabile tra Anthony Quinn e Alan Bates. Quinn è Zorba, che non ha paura di niente e si butta a capofitto nella vita e nelle esperienze. A lui la gente piace, ci parla, ci ride e ci beve, si fa anche i fatti degli altri ma è generoso se serve, e comunque manda avanti la sua vita. È estroverso al 100% ed è un personaggio interessante interpretato magnificamente da Anthony Quinn, attore dalla lunga carriera. Alan Bates è gentile, preciso, riservato, discreto, riflessivo. Non si lancia, chiede permesso, è un tantino represso ma è un buon amico e una brava persona. Quinn adotta Bates e gli cambia la vita. Finiscono per conoscere una donna sola che è Lila Kedrova, che vive nel passsato. Mostra le gambe, si veste coi pizzi, finge una felicità che non possiede più, si comporta da adolescente. La Kedrova cerca ancora la vita e Quinn la accontenta. Questi personaggi così diversi raccontano una storia interessante. Memorabile la morte della Kedrova, con le vecchie del paese che vanno a saccheggiare la casa. Bates è uno degli attori più sottovalutati degli anni ’60 e ’70.
Un giorno di terrore” è il titolo italiano di “Lady in a cage”, che forse è meglio, si tratta di Olivia de Havilland, che è una scrittrice che ha avuto un incidente e quindi è costretta temporaneamente alla sedia a rotelle, quindi si muove nella sua bella casa grazie a un ascensore che la porta dal piano delle camere al soggiorno e alla cucina. Il figlio va via per il fine settimana, ma represso dalla madre ha propositi suicidi, ebbene Olivia resta sola in casa. Purtroppo per lei va via la corrente quando l’ascensore è a metà, e così resta sospesa. Salire non può, scendere non può, saltare nemmeno, arrampicarsi non se ne parla. Suona l’allarme, ma nessuno sente. Non esistevano mica gli smartphone, qui si rischia di restare in ascensore molto, molto a lungo. Succede quindi che un ubriacone entra in casa e sotto gli occhi impotenti della de Havilland pensa bene di accumulare un po’ di refurtiva. Non contento, va a chiamare altri suoi amici, più delinquenti e spregevoli che mai. Capitanati da James Caan, questi teppisti metteranno a ferro e fuoco la casa della de Havilland che guarda impotente quello che accade. Bellissimo e dimenticato titolo che vale la pena riscoprire in onore della mega star di recente morta alla bella età di 104 anni.
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The next big Mafia blockbuster movie should be about...?

There's a good amount of Mafia movies out there. From Scorsese to Robert Saviano...Quite a few topics and events have been touched. However, I was thinking and relative to the mafia history...There's so much potential still!
Some suggestions of mine. Feel free to add to it. I'd love to see a movie about:
  1. The Trafficante family in FL that's been running that state out of Tampa for well over 50 years. I feel like they're hardly mentioned in modern mafia history.
  2. Fear City. NY vs the Mafia documentary has enough content to turn that period into a 7 season show in my opinion.
  3. I'd love to see the beginning of the mafia in Vegas. Like 10-30 years before the setting in "Casino". I know there's the show mob city with Jon Bernthal..but I'd like more.
  4. A Lucky Luciano biopic. He was a big character in Boardwalk empire, but I'd love to see something all about him. Him and Meyer Lansky together maybe?
  5. A movie about the the founding of the commission.
  6. A movie about the rise of Salvatore Riina, Bernard Provenzano and Luciano Leggio.
  7. A movie or show about Di Lauro and all of his 10 sons (as historically accurate as possible). I know Gomorrah is loosely based on them, but I'd like an accurate picture with real names.
  8. A dark and ruthless Albert Anastasia movie.
My personal favorites (slightly lesser known than American blockbusters) in case you haven't seen these. I highly reccomend.
  1. The Ruthless (rise of Ndranghata)
  2. Gomorrah (movie)
  3. Gomorrah (show)
  4. The Traitor (Thomas Buscetta biopic. Beautiful movie)
  5. Zero Zero Zero (show following one massive shipment of cocaine from the moment it's made in Columbia to it's delivery with a bunch of chaos that arises in between)
  6. Piranhas (rise of the modern young Camorra).
  7. I wasn't the biggest fan, but I know a lot of people also really liked Suburra (the movie) and Suburra Blood on Rome (the show).
submitted by Gorndog92 to Mafia [link] [comments]

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Reddit Chosen Oscars: 1995 Winners

Best Picture
1. Toy Story
2. Seven
3. Before Sunrise
4. Apollo 13
5. The Usual Suspects
6. Braveheart
6. Heat
8. Casino
9. Babe
10. 12 Monkeys
Best Director
  1. David Fincher for Seven
  2. Ron Howard for Apollo 13
  3. Mel Gibson for Braveheart
  4. Michael Mann for Heat
  5. Richard Linklater for Before Sunrise
Best Lead Actor
  1. Nicolas Cage as Ben Sanderson in Leaving Las Vegas
  2. Ethan Hawke as Jesse in Before Sunrise
  3. Morgan Freeman as William Somerset in Seven
  4. Tom Hanks as Jim Lovell in Apollo 13
  5. Sean Penn as Matthew Poncelet in Dead Man Walking
Best Lead Actress
1. Julie Delpy as Céline in Before Sunrise
2. Sharon Stone as Ginger McKenna in Casino
3. Susan Sarandon as Sister Helen Prejean in Dead Man Walking
4. Nicole Kidman as Suzanne Stone-Maretto in To Die For
4. Elisabeth Shue as Sera in Leaving Las Vegas
6. Emma Thompson as Elinor Dashwood in Sense and Sensibility
Best Supporting Actor
  1. Kevin Spacey as Roger "Verbal" Kint/Keyser Söze in The Usual Suspects
  2. Brad Pitt as Jeffrey Goines in 12 Monkeys
  3. Ed Harris as Gene Kranz in Apollo 13
  4. James Cromwell as Arthur Hoggett in Babe
  5. Joe Pesci as Nicky Santoro in Casino
Best Supporting Actress
  1. Kate Winslet as Marianne Dashwood in Sense and Sensibility
  2. Gwyneth Paltrow as Tracy Mills in Seven
  3. Mira Sorvino as Linda Ash in Mighty Aphrodite
  4. Kathleen Quinlan as Marilyn Gerlach Lovell in Apollo 13
  5. Joan Allen as Pat Nixon in Nixon
Best Original Screenplay
  1. Toy Story
  2. Seven
  3. Before Sunrise
  4. The Usual Suspects
  5. La Haine
Best Adapted Screenplay
1. 12 Monkeys
2. Casino
3. Apollo 13
4. Babe
4. Sense and Sensibility
6. Leaving Las Vegas
Best Animated Film
1. Toy Story
2. Ghost in the Shell
3. Pocahontas
3. Whisper of the Heart
5. A Goofy Movie
Best Non-English Language Film
  1. La Haine
  2. Ghost in the Shell
  3. Il Postino: The Postman
  4. Whisper of the Heart
  5. Underground
Best Documentary Film
  1. A Personal Journey with Martin Scorsese Through American Movies
  2. The Battle Over Citizen Kane
  3. Anne Frank Remembered
  4. Frank and Ollie
  5. Unzipped
Best Original Score
  1. Toy Story
  2. Braveheart
  3. Apollo 13
  4. Seven
  5. Sense and Sensibility
Best Original Song
  1. "You’ve Got a Friend in Me" from Toy Story
  2. "Colors of the Wind" from Pocahontas
  3. "Gangsta’s Paradise" from Dangerous Minds
  4. "GoldenEye" from GoldenEye
  5. "Hold Me, Thrill Me, Kiss Me, Kill Me" from Batman Forever
Best Sound
  1. Apollo 13
  2. Heat
  3. Toy Story
  4. Braveheart
  5. Seven
Best Production Design
  1. Braveheart
  2. Apollo 13
  3. Seven
  4. 12 Monkeys
  5. Sense and Sensibility
Best Cinematography
  1. Seven
  2. Braveheart
  3. Apollo 13
  4. Heat
  5. Casino
Best Makeup/Hairstyling
1. Braveheart
2. Batman Forever
2. Seven
4. Clueless
5. 12 Monkeys
Best Costume Design
  1. Braveheart
  2. Sense and Sensibility
  3. Clueless
  4. Casino
  5. 12 Monkeys
Best Editing
  1. Seven
  2. Apollo 13
  3. Heat
  4. Casino
  5. Braveheart
Best Visual Effects
  1. Apollo 13
  2. Toy Story
  3. Babe
  4. Jumanji
  5. Batman Forever
Best Voice Acting Performance
  1. Tom Hanks as Woody in Toy Story
  2. Tim Allen as Buzz Lightyear in Toy Story
  3. Christine Cavanaugh as Babe in Babe
  4. Bill Farmer as Goofy in A Goofy Movie
  5. Irene Bedard and Judy Kuhn as Pocahontas in Pocahontas
Best Directorial Debut
  1. John Lasseter for Toy Story
  2. Noah Baumbach for Kicking and Screaming
  3. F. Gary Gray for Friday
  4. Michael Bay for Bad Boys
  5. Larry Clark for Kids
Best Ensemble Cast
  1. The Usual Suspects
  2. Seven
  3. Apollo 13
  4. Heat
  5. Casino
Best Choreography, Stunts or Dance
  1. Braveheart
  2. Heat
  3. GoldenEye
  4. Rumble in the Bronx
  5. Apollo 13
Best Soundtrack
  1. Toy Story
  2. Pocahontas
  3. Casino
  4. Clueless
  5. Batman Forever
Best Non-English Language Performance
  1. Vincent Cassel as Vinz in La Haine
  2. Massimo Troisi as Mario Ruoppolo in Il Postino: The Postman
  3. Gong Li as Xiao Jinbao in Shanghai Triad
  4. Isabelle Huppert as Jeanne in La Ceremonie
  5. Miki Manojlović as Marko Dren in Underground
Preferential ballot for this year
Full charts for all the categories
submitted by JuanRiveara to oscarrace [link] [comments]

Reddit Chosen Oscars: 1995 Winners

Best Picture
1. Toy Story
2. Seven
3. Before Sunrise
4. Apollo 13
5. The Usual Suspects
6. Braveheart
6. Heat
8. Casino
9. Babe
10. 12 Monkeys
Best Director
  1. David Fincher for Seven
  2. Ron Howard for Apollo 13
  3. Mel Gibson for Braveheart
  4. Michael Mann for Heat
  5. Richard Linklater for Before Sunrise
Best Lead Actor
  1. Nicolas Cage as Ben Sanderson in Leaving Las Vegas
  2. Ethan Hawke as Jesse in Before Sunrise
  3. Morgan Freeman as William Somerset in Seven
  4. Tom Hanks as Jim Lovell in Apollo 13
  5. Sean Penn as Matthew Poncelet in Dead Man Walking
Best Lead Actress
1. Julie Delpy as Céline in Before Sunrise
2. Sharon Stone as Ginger McKenna in Casino
3. Susan Sarandon as Sister Helen Prejean in Dead Man Walking
4. Nicole Kidman as Suzanne Stone-Maretto in To Die For
4. Elisabeth Shue as Sera in Leaving Las Vegas
6. Emma Thompson as Elinor Dashwood in Sense and Sensibility
Best Supporting Actor
  1. Kevin Spacey as Roger "Verbal" Kint/Keyser Söze in The Usual Suspects
  2. Brad Pitt as Jeffrey Goines in 12 Monkeys
  3. Ed Harris as Gene Kranz in Apollo 13
  4. James Cromwell as Arthur Hoggett in Babe
  5. Joe Pesci as Nicky Santoro in Casino
Best Supporting Actress
  1. Kate Winslet as Marianne Dashwood in Sense and Sensibility
  2. Gwyneth Paltrow as Tracy Mills in Seven
  3. Mira Sorvino as Linda Ash in Mighty Aphrodite
  4. Kathleen Quinlan as Marilyn Gerlach Lovell in Apollo 13
  5. Joan Allen as Pat Nixon in Nixon
Best Original Screenplay
  1. Toy Story
  2. Seven
  3. Before Sunrise
  4. The Usual Suspects
  5. La Haine
Best Adapted Screenplay
1. 12 Monkeys
2. Casino
3. Apollo 13
4. Babe
4. Sense and Sensibility
6. Leaving Las Vegas
Best Animated Film
1. Toy Story
2. Ghost in the Shell
3. Pocahontas
3. Whisper of the Heart
5. A Goofy Movie
Best Non-English Language Film
  1. La Haine
  2. Ghost in the Shell
  3. Il Postino: The Postman
  4. Whisper of the Heart
  5. Underground
Best Documentary Film
  1. A Personal Journey with Martin Scorsese Through American Movies
  2. The Battle Over Citizen Kane
  3. Anne Frank Remembered
  4. Frank and Ollie
  5. Unzipped
Best Original Score
  1. Toy Story
  2. Braveheart
  3. Apollo 13
  4. Seven
  5. Sense and Sensibility
Best Original Song
  1. "You’ve Got a Friend in Me" from Toy Story
  2. "Colors of the Wind" from Pocahontas
  3. "Gangsta’s Paradise" from Dangerous Minds
  4. "GoldenEye" from GoldenEye
  5. "Hold Me, Thrill Me, Kiss Me, Kill Me" from Batman Forever
Best Sound
  1. Apollo 13
  2. Heat
  3. Toy Story
  4. Braveheart
  5. Seven
Best Production Design
  1. Braveheart
  2. Apollo 13
  3. Seven
  4. 12 Monkeys
  5. Sense and Sensibility
Best Cinematography
  1. Seven
  2. Braveheart
  3. Apollo 13
  4. Heat
  5. Casino
Best Makeup/Hairstyling
1. Braveheart
2. Batman Forever
2. Seven
4. Clueless
5. 12 Monkeys
Best Costume Design
  1. Braveheart
  2. Sense and Sensibility
  3. Clueless
  4. Casino
  5. 12 Monkeys
Best Editing
  1. Seven
  2. Apollo 13
  3. Heat
  4. Casino
  5. Braveheart
Best Visual Effects
  1. Apollo 13
  2. Toy Story
  3. Babe
  4. Jumanji
  5. Batman Forever
Best Voice Acting Performance
  1. Tom Hanks as Woody in Toy Story
  2. Tim Allen as Buzz Lightyear in Toy Story
  3. Christine Cavanaugh as Babe in Babe
  4. Bill Farmer as Goofy in A Goofy Movie
  5. Irene Bedard and Judy Kuhn as Pocahontas in Pocahontas
Best Directorial Debut
  1. John Lasseter for Toy Story
  2. Noah Baumbach for Kicking and Screaming
  3. F. Gary Gray for Friday
  4. Michael Bay for Bad Boys
  5. Larry Clark for Kids
Best Ensemble Cast
  1. The Usual Suspects
  2. Seven
  3. Apollo 13
  4. Heat
  5. Casino
Best Choreography, Stunts or Dance
  1. Braveheart
  2. Heat
  3. GoldenEye
  4. Rumble in the Bronx
  5. Apollo 13
Best Soundtrack
  1. Toy Story
  2. Pocahontas
  3. Casino
  4. Clueless
  5. Batman Forever
Best Non-English Language Performance
  1. Vincent Cassel as Vinz in La Haine
  2. Massimo Troisi as Mario Ruoppolo in Il Postino: The Postman
  3. Gong Li as Xiao Jinbao in Shanghai Triad
  4. Isabelle Huppert as Jeanne in La Ceremonie
  5. Miki Manojlović as Marko Dren in Underground
Preferential ballot for this year
Full charts for all the categories
submitted by JuanRiveara to Oscars [link] [comments]

Asian American Men and Dating Part 2: Maintaining a Frame of Superiority

Check out Part 1: the Eunuch and the Merchant here
If you read Part 1, you might be wondering what the key to running this Merchant Game is. There are plenty of little tricks like cycling through your linked Instagram photos the right way (you don't want to make it all fancy luxury shit or you seem fake or pretentious, strive for a 50-50 balance) or making sure you have a well tailored suit and shirt (can get them relatively cheap from sites like Indochino, and they still look decently good) to wear to impress dates (I did this in casually dressed West Coast cities, if they asked about what I was wearing I would just say I was "at an event beforehand" and leave it at that, sometimes I would say I had a meeting with business associates from Asia - again, exploit the air of mystery).
But the most important key is to maintain a sense of effortless superiority about it all. Like you're too good for America (which, you really are).
If you go in and start talking about how rich you are, you'll seem fake and douchy as fuck. If you go in saying how lame America is or how much you hate it, you just sound like a weird asshole. Instead, you need to maintain a "frame" in which America is a quaint, amusing place to you - it's nice enough, but not quite on your level. If you can do this, it doesn't matter how wealthy you actually are, you will still "inhabit" the role of the foreign merchant and enjoy all the boost in status that comes with it.

So how do you maintain this frame? It can be really difficult, especially given all the marginalization we've faced as Asian men, all the racism and gaslighting, that constant nagging feeling that we aren't good enough or that we have to "play from behind." For a lot of AsAm men, this racist society has made our default state a feeling that we "aren't good enough for America", a far cry from feeling "blissfully superior to America".
I maintained this mental state by reinforcing a constant awareness of American decline in my day to day life. If you just Google "American decline" you can get plenty of hits, or read stuff like this, or this, or watching documentaries like this. I try to read this stuff on the regular, to maintain my ideal mental frame (doing it less these days since I'm married, but I was mainlining this kind of news like an out of work midwestern factory worker mainlines heroin back in my single days). Throughout all of this, I would just remind myself - as an Asian guy, I didn't cause this decline - but given the racism I've experienced, I sure as shit don't care to help stop it either.
The more I reinforced this perception in my mind, the easier it was to maintain frame. In fact, everywhere I looked, America started seeming like this insecure place that was in irreparable decline. The white people I encountered especially started looking real pathetic. It got to the point where I was seriously convinced every white person I encountered had at least 2 or 3 relatives who were addicted to heroin or facing eviction or living off food stamps. Regular doses of "decline porn" - news articles and blog posts about the country's problems, documentaries about low income whites - will have that effect on a person. And with that mental state, it was easy to retain my frame of free and blissful superiority over petty American concerns. You can think of it as training my mind to "neg" racist American society all the time, to see everything through a negging filter.
I know some folks on this subreddit like to point out the absurdly sinophobic articles that the American media loves to print. Once you fully accept this framework of American decline, you'll start seeing the deep insecurities in white America that are driving this sinophobia. The projection is glaringly obvious. "China is authoritarian and cracking down on blah-blah-blah" reflects fears around the Trump administration. "China is a kleptocracy" reflects fears around rising inequality and Wall Street stuff. "China censors and / or monitors the Internet" reflects paranoia around the borderline monopolistic aspects of Facebook and Google.
In fact, I like to use those projections and fears to... well, to help get myself laid. If you fear someone, you are by default assigning power to them - and lots of women get turned on by power. I would leverage this by mentioning some "big deal I was in the process of closing with a Chinese firm" or something like that if they asked about my work. This would often lead to a slightly shocked reaction - a sense of "omg China, aren't they censoring their people and monitoring everyone and blah blah blah?" - and again, keeping it mysterious, I would just say something like "You know, it's a rapidly evolving country. I certainly don't like everything about it, but I'm impressed by their progress, and the people there seem optimistic. I work with guys who tell me their entire families went from being peasants to owning multiple homes and all driving Beamers. Trump's America, on the other hand..." The projection of fear that America has cast on China also gives the place a veneer of power, and that veneer of power can be leveraged like this. The reaction I wanted to elicit was "Wow, everyone there is driving Beamers, meanwhile here my whole family is just backsliding due to the unequal economy..., etc etc". I think the pickup artist types call this sort of thing Demonstrating Higher Value.
(Btw, I did this even though my family's Korean and I spent much of my childhood in Taiwan - if you're Asian, you might as well be mainland China as far as racist America is concerned, lol - plus unlike a lot of self hating Asians, I don't have any hate for mainlanders, ya'll are just fellow yellow people to me)
After a while doing this sort of mental conditioning, I started seeing America as this weird blank slate. It started feeling like a place that was just a wide open casino or bazaar where I could just look for opportunities for myself - fun opportunities, profitable opportunities, whatever. And that's when I truly got on another level. Any time I went out, instead of being concerned about how racist this society was towards me, I felt adventurous instead. It felt like this country was nothing more than a temporary place for scraping money and partying. A place full of desperate and confused people who I could mess around with, dupe and cajole into all sorts of interesting situations that would be fun or beneficial for me. And I started seeing that other people, from similar immigrant communities, had a similar attitude - that America was just a place for money and a bit of fun, that it wasn't a place to be taken too seriously. Seeing that attitude, and hanging out with other immigrants from "New America", only helped to reinforce the same attitudes in myself.

Let me emphasize that I don't hate America. If you hate America, this type of game won't be effective for you. If you hate America, that means you've let America get to you and affect you, and too many of your thoughts will still be about your role in relation to America. Instead, I try to maintain a mindset of deep apathy and strategic opportunism towards America.
I believe that if you actively hate America, then you need to evolve in your thinking before you can become a fully empowered Asian man. Instead, try to meditate, read a lot and think deeply, travel the world as much as you can, and in the process understand just how insignificant America is in the grand scheme of things, how unworthy of your hate, in fact unworthy of any emotion. When you come out the other side of that process, you may just look at America as nothing but a game, an opportunity to have your own fun: sometimes it's a game of trying to get laid, sometimes it's a game of making money, other times it's just a game of humiliating some anti-Asian racists or annoying pro-white Asians.
And once you have that mindset, the incredible confidence that comes with it flows naturally.
submitted by hongqigong1 to aznidentity [link] [comments]

Xavier DuPont de Ligonnès Article from Society, 6 Aug 2020, Part 2C [English]

Xavier DuPont de Ligonnès Article from Society, 6 Aug 2020, Part 2C [English]
Previous Section-Part 2B
[3/5]
Chapter 9

Highways and dead ends

The hunt for Xavier Ligonnès is enough to drive you crazy. It’s like looking for a lost object, a bank card for example, of which we can determine the exact moment of disappearance: we used it to pay, it was there, and the next moment it is not there anymore. Logic dictates that we look for it where we usually store it (a wallet, a handbag), then where it could be (a back pocket of pants, a hall cabinet), and the less we find it , the more we seem to see it everywhere. Faced with absence, the brain constructs images (the credit card in an office drawer, as a bookmark in a book, forgotten on the counter of the last store) but these are fictions or mirages; they encourage further research but they do not provide a solution. Xavier Ligonnès’s apparent volatilization follows the same logic and produces the same effects on the investigation. The more weeks and months go by, the more places to look get smaller. Emmanuel Teneur ends up leading the investigators to the Société Générale agency on Place Royale in Nantes, but the safe he holds there is simply empty. A request for information on Joven Soliman is sent to the security attaché for the French Embassy in the Philippines. He is a sedevacantist priest, a fringe of traditionalist Catholicism who considers the Pope to be an imposter. The attaché transmits the hours of mass where he officiates. A trip to the Philippines is being considered, but that would mean going to the other side of the world to look for a needle in the thousands of islands of the archipelago. If this track has never been closed, nothing has supported it to date.
Since we must push logic to the end, the investigators even contact the American authorities to corroborate or contradict the story of protected witnesses told by Ligonnès in his famous letter. The DEA has never heard of the individual, and the liaison officer based at the Miami consulate assures us that his last trip to the United States was in 2003: Ligonnès arrived in Florida on July 18 and left on August 22. The study of his entourage also did not highlight anyone capable of providing false papers to the fugitive, and if he had gone through a criminal network, the police believed that an informant would undoubtedly have warned them to protect himself.
Then there are the news reports: the portrait of Ligonnès goes around France, and even if he has undoubtedly changed his physical appearance, his hairstyle, perhaps had even resorted to cosmetic surgery, someone, somewhere, might recognize him one day. After all, that’s how John List, a New Jersey insurance salesman who killed his wife and mother in 1971, was arrested. He waited for two of his children to return from school to coldly shoot them, then attended his youngest son’s football game before shooting bullets through him at home. He evaded justice for 18 years until a co-worker recognized him from a report on America’s Most Wanted.
Rarely has a criminal case given rise to as many appeals as that of Ligonnès, because his stalking not only bewitches the police, it torments an entire country. More than 1000 reports, thousands of pages of depositions, letters, verifications. You have to imagine the miles of printed paper that this represents when they are stacked on a desk. The most recent: in July, after the broadcast of a Netflix documentary on the subject in the United States, the producers of the film claimed to have received an interesting lead in Chicago; but it’s just one more drop in the bucket. Xavier Dupont de Ligonnès has been seen in Annecy, Nancy, Cholet, Corsica (several times); on the side of a road, thumbs up, by a French tourist in Las Vegas; disguised as a chimney sweep in Nîmes; in a hotel in Cantal and in a pizzeria where he paid cash in a hurry; seen again in Germany, in Italy, and heard on the telephone by the reception of the psychiatric hospital of Troyes. Since he disappeared looking like the ordinary neighbor, since he was a representative and his profession has taken him to all corners of France, there is no less reason to see him in Mulhouse than in Roche-sur-Yon, and you can simply see him everywhere.
Aire de Lançon-Provence in July 2020
Extracts: “It was the same look, except that he looked very sad, in the west, but he had the same glasses as in the photo you are showing me”; “He looked like a man like everyone else, but there was something odd in his eyes;” “Yesterday, around 1:00 pm, I was watching the news on television on the TFI channel. I saw a report where an individual killed his children and his wife before disappearing into the wild. (...) Seeing the gentleman in the photo, I made the connection with the person whom I had crossed Sunday afternoon because he had the same smile.” At the Vauvert tourist office: “I hardly look at the news, but Thursday evening I saw the photo of Mr. Ligonnès, I had the impression of having already seen him, my heart was racing.” Between Carpentras and Avignon, when he comes back from the bakery, the manager of one of Nicolas Sarkozy’s brothers crosses paths with a man with a beige bob, which he is certain is the fugitive. “I flashed,” he says. “For me, there is no doubt. This is him.” Still more letters are sent to the police to offer them help. An amateur astrologer requests a copy of the suspect’s birth certificate to establish a birth chart, a woman in child-like writing recommended a great medium who had helped her find her daughter who had become a junkie in Marseille. A prisoner asked in writing to be sent to Guinea to go hunt him down in the jungle, attaching to his letter a list of the necessary equipment, including infrared glasses and a “samurai sword.”
With each letter, with each phone call to report a suspicious individual, investigators attempt to cross-reference the information. They patiently collect the testimonies of the depositors to know where Xavier Ligonnès was seen, if he was accompanied or not, what was his size and his outfit. Inconsistent testimonies or those referring to individuals who are too young (Ligonnès would be 59 years old today) and too small (he measures a little over 1.80 meters) are discarded. For the others, investigators check the CCTV recordings, when they have not been erased and when the cameras have actually recorded on tape. If the person has been spotted pumping gasoline, in a Géant Casino, or in a Courtepaille, they trace the means of payment used and seize the duplicates of bank cards. They give priority to the restaurants, especially the Buffalo Grill, Ligonnès’ favorite establishment. And when the trail is still hot and the dishes haven’t been done yet, they collect DNA from the plates and cutlery. A few months after the start of the investigation, the investigating judge in charge of the case will even be forced to ask them to slow down, the seals starting to take on the appearance of a china cabinet in a large restaurant.
The Total service station in Lançon-Provence, July 2020
The PJ of Nantes believed on several occasions to finally have in hand the winning ticket and to be on the point of intercepting Ligonnès. This was the case in Borgo, where a photo taken from the video surveillance of a supermarket in this small Corsican town was very similar. Upon verification, it was only a local. They believed in it even more in January 2018 when they were told that an individual with a strong resemblance to Xavier Ligonnès was at the Saint-Désert Notre-Dame de Pitié monastery near Roquebrune-sur-Argens. About twenty police officers raided and searched the premises until they came across Brother Jean-Marie Joseph, who certainly looked disturbingly like Ligonnès, but who was not him. In still other cases, the police were never able to “close the track,” and it is perhaps Ligonnès who was seen.
For example, in Lançon-Provence, April 26, 2011. That day, at 2:44 am, Mahjoub B., a handler by profession, parks his vehicle at the Total service station after the Lançon-Provence toll. He fills up, then goes to the store to pay. On his way, he passes a 45- to 50-year-old man, about six feet tall, who hangs out there between the gas pumps and the store. When he returns to his vehicle, his colleague asks him if he has seen the man, whom he is convinced is the one everyone is looking for, the one who killed his family in Nantes. Mahjoub then takes a new look at the individual, notices that he is wearing glasses, light jeans, that he has brown hair a little graying and a beard of a day. At his feet, four rigid shopping bags, one red, one white, one brown and one whose color he cannot distinguish. Inside the store, employees also noticed the individual. He’s been out for almost three hours. At one point, he walks in to ask for free coffee, as part of a promotion. Behind her cash register, Jocelyne H. notes a detail: he is missing a tooth. “The second on the left, I believe,” she says when heard by investigators. This is information that has never filtered out and yet, it’s true – a little detail, Xavier Ligonnès was missing a tooth. Little by little, the space has filled in, but you can always see it when he smiles. The images from the station’s surveillance cameras are confusing: if this man is not the one we are looking for, it must be his twin brother. At 3 a.m., the cameras show him hitchhiking by a Volkswagen Combi, which investigators quickly find. The driver’s name is Christophe B. He has not heard of the case, and he must be one of the only ones in the country; but Christophe is no longer listening to the news because, he says, “the news is bad all the time.” From the hitchhiker on the night of the 25th to the 26th, he remembers that he “did not smell very good” and that he had a growing beard. They didn’t discuss much. The man simply told him that he was coming from Paris where he had gone to see “his sick old father,” and that he wanted to take the train to Aix-en-Provence. Christophe dropped him off at a motorway exit, the 30 or the 31, between 4 a.m. and 4.15 a.m. The surveillance cameras at Aix train station allow you to get back on track. He is filmed on the forecourt at 6 am, he wears light pants, a dark jacket. He buys a ticket at 1.20 euro, free destination. Then we lose track.
Despite all the checks, despite all the cameras, it will be impossible to track this man perfectly resembling Dupont de Ligonnès, who could nevertheless have confirmed that he was, at least on this date, still alive.
How can one suddenly evaporate in plain sight, and how could a man who has collected chess all his life accomplish this feat? The XDDL mystery makes it possible to scaffold all the theories. These flourish in books, in docudramas and, of course, on the Internet. We imagine Ligonnès protected by the secrecy of a monastery, flown to the United States, where he can go unnoticed thanks to his English without an accent, or even on the escape alongside a woman he would have manipulated. The police officers in charge of the case do not work on theories or psychological profiles, but according to a scientific approach: they always start from a fact, which opens a track, which they then explore until the end, close, and move on to another. This method is also a way to protect yourself from endless guesswork, or insanity, but it doesn’t always work. Several times, the track looks like a highway towards the fugitive, and the police are convinced that they will finally close this investigation. But they end up stumbling upon the worst thing ever, as was the case with the allusion to Emmanuel Teneur’s sailboat: coincidences.
Coincidence number 1. When the Ligonnès C5 was discovered in the Formula 1 car park in Roquebrune, the night watchman informed them that two reservations had been made in the name of Dupont Xavier, one on April 5 and the another on April 14. The hotel manager then specifies that the first reservation was actually made for April 6. That day, however, XDDL was in Nantes, probably digging the grave of Thomas, murdered the day before. Had he thought of accomplishing his crimes earlier or had he reserved a room for an accomplice, who might have been hiding something for him? The videos of April 5 and 6 are no longer available, but payment for the room was made with a Crédit Agricole credit card. The number gives a name, Faiçal E., and an address. Could it be an accomplice? The checks are launched immediately lead to a man who simply used “Dupont Xavier” as an assumed name - like Ligonnès - to book a night in the same hotel, the same year, the same month, within ten days.
Coincidence number 2. The liaison officer in Miami launches research around the various aliases used by XDDL, for operations of “mystery shopper” or to stay in hotels. In the FBI file, he finds a certain Xavier Laurent, one of Ligonnès’s favorite nicknames, installed in Jacksonville, north of Florida. Jacksonville is not just any city. This is where Hugues, the cousin of XDDL lived, and it is also this locality that Ligonnès and his friend Michel Rétif declared to customs in 1990 during their trip to the United States. At the very end of the personalized letter sent to Michel on April 8, Xavier Ligonnès seemed to allude to it: “I will think about you there. (Not the right to tell you where, but you went there with me...in November 90…a clue to dig. LOL).” But this Xavier Laurent is another twist of fate: the police come across a certain Evan Shaffer, a petty criminal who has chosen this alias to commit crimes.
Coincidence number 3. Ten days before the crimes, XDDL reconnects with a childhood sweetheart, Catherine K., whom he met in Versailles in the 1980s. Between March 22 and 24, they exchange text messages and try to find a date to meet the week of April 12, in Chamonix. These messages intrigue the investigators, some answers seem surprising, almost illogical, and they suspect Ligonnès of having wanted to ensure a logistical relay in his escape. A little later, a certain Patrick O. reports having seen XDDL in the queue of a Sixt car rental agency at Nice airport on April 17, 2011. By peeling the names of dozens of people having rented a car that day, the police officers miss the infarction: in capital letters, white on black, appears the surname of Catherine, who would have rented a vehicle at 1:30 am. A few hours later, their heart rate drops again: it was only a perfect disambiguation.
Each coincidence causes the same chain of reactions. First a eureka!, the certainty of having finally found the tiny detail from which to trace everything. The police then cast their nets like fishermen on the high seas, telephone or banking requisitions, requests for listings, identity checks. Then they wait. It can last from a few hours to several weeks, and inevitably it is a burning, nagging wait, tense by the fear that the track will fly away. Finally, there is the immense disappointment and the obligation to face reality again: Xavier Ligonnès is still nowhere to be found, a track has flown again, and we have to hoist the rock up the mountain again. Those who have worked or are still working on the affair strive to maintain a cold, rational, police facade. But little by little, by dint of chasing a shadow - not even a shadow, a ghost - obsession lurks. One of them, a police officer with a professional Protestant pastor, now out of the investigation, still returned until recently to consult the investigation file every week, saying he simply wanted to put the 12,000 pages of documents in order. For a year, a criminal analyst has also been mobilized. He enters all the elements of the file in a software which digests them and spits out, perhaps, new threads to draw. In the meantime, the two police officers who are still following the investigation - one at the PJ in Nantes, one at the OCRVP, in Paris - “live” the case, as their colleagues say. Among these thousands of pages there is no doubt a clue that has gone unnoticed or, better, a lead that has not yet been explored.
Track number 1. Who typed “fraternité saint-thomas becket” on Google on April 3 at 11:34 pm, before clicking on a link in the Cité-Catholique forum? Is it the same person who, the same night at 2:01 am, from an iPhone, did the search for “communion state mortal sin,” bringing it to the same forum? On April 8, the user of this phone will in any case send the search engine the request “hello Chacou”, which will lead him (her) again to the Cité-Catholique forum. Chacou was one of the pseudonyms of Xavier Ligonnès. Investigators saw crazier coincidences, but still: can it really be someone other than Xavier Ligonnès, who himself connected to Cité-Catholique almost every day of his escape? The last article published on the site about Saint-Thomas Becket, an ultra-traditionalist fraternity which practices mass in Latin, dates from January 2009. It indicates the name of its founder, Father Jean-Pierre Gac, and specifies this: “Born in the diocese of Blois where there are two communities (…), the fraternity has also extended in the diocese of Toulon - a parish is also entrusted to them in Ollioules.” Ollioules is located six kilometers from La Seyne-on-Mer, where XDDL spent its penultimate known night, and 94 kilometers from Roquebrune. Jean-Pierre Gac was questioned by the police but claimed to have never been in contact with the fugitive. Investigators have always believed in the possibility that Ligonnès took refuge in a monastery in the Var. They considered to search them one by one, before understanding that there are dozens and dozens of brotherhoods and fraternities, that they are not always castles of the Purple Rivers but sometimes simple farms, lost in the hinterland. To mount a search, it would be necessary to ensure that they do not communicate with each other, and therefore to visit them all at the same time. The examining magistrate quickly tempered the fervor of the police and declared the operation impossible.
Track number 2. Xavier Ligonnès had two secret Facebook accounts. The first is named after his favorite country singer, Waylon Jennings. One of his nieces had also found him a month before the crimes, sending him a message, “but who is behind this nickname?,” to which XDDL had immediately replied “How did you manage to arrive on the Waylon Jennings Facebook profile? Too clever! Microsoft Advantage??? Kiss.” The second account concerns a certain “George Town” residing in Nantes and is linked to one of Ligonnès’ many email addresses, [email protected]. The police send a requisition to the management of Facebook in Palo Alto to obtain the creation and connection logs of the two profiles. The answer comes in days: the first was created in February 2010, the second in December 2007, when France had barely discovered the social network. Above all, the response indicates that Ligonnès connected to the two accounts on the night of April 4 to 5, between the first assassinations and that of Thomas. The profiles have since been deleted but suggest he could have used them to communicate with a third party. Catherine K., the youthful lover that XDDL contacted a few days before the tragedy, also reported to the police that she had been approached by a certain Philippe Steiner, whom she did not know, around May 20. He sent her a strange message, suggesting that they might have had a relationship in the past. When she went to respond, the profile had already been deleted. Today there are almost 100 Facebook accounts on behalf of Waylon Jennings, some are created and deleted every day.
Track number 3. When the Ligonnès family is having their last meal on April 3, 2011, around 9 pm, a young woman walks through the glass doors of the police station on Place Waldeck-Rousseau in Nantes. Originally from a small village near Vannes, Julie is a BTS student and comes to file a complaint: the Twingo that her father lets her drive has been broken into, probably during the night. There was not much inside, but Julie reported the theft of her car radio as well as the vehicle’s logbook, which she normally stored in a small Renault gray faux leather pouch. This same pouch was found on April 22 in the dresser of the Ligonnès living room where Xavier used to store his papers, during the investigation the day after the discovery of the bodies. The police did not follow this track: they put the break-in of Julie’s car on the account of one of the Ligonnès sons, Arthur, who had already been arrested for theft of a bicycle and driving under the influence of cannabis. But why would Arthur have taken the vehicle papers with the car stereo, and why would he put them in the middle of his father’s papers? And if the theft was committed by Xavier Ligonnès a few hours before killing his family, how can this be explained? Was he able to steal other identity papers to facilitate his escape?
In this case, it is always about cars. Those imported by XDDL from the United States, the Citroën C5 from the escape, the vehicles he claimed had been stolen over the years: the first at the Brest police station in 1998, while living in Pornic, a second at the same time at the Saint-Nazaire police station, and then again, in Nantes, on May 17, 2006, a Golf convertible finally found then sold a few months later to a mechanic, a friend of Cédric M.
Cédric M. is never far away when it comes to cars. He is also a mechanic, that’s how Ligonnès met him in Vannes a few years earlier. He is one of the recipients of the departure letter, therefore a close friend. He was even the first employee of the RDC. Ligonnès regularly went to visit him in Locmalo in the heart of Morbihan, a two-and-a-half-hour drive from Nantes. With Cédric and his partner, Renaud, they went to the local creperie. They had lunch there together on March 31, 2011, four days before the crimes. In the village, it is said that Ligonnès took care of the dark accounts of the “guys,” who have quite a reputation. Could he have built up a slush fund there that no one would have found until now? Cédric and Renaud’s garage is not indicated by any sign. It is at the end of a road. In the yard, wrecks of American cars and a goat on a leash. Inside, Renaud is working on a shiny yellow Cadillac. His attitude is confusing. He is angry with the police who have never come to question him when he is, according to him, “the last to have seen [Xavier] alive. But I will not tell you when, because that the date is important,” he adds before returning to his Cadillac, wrench in hand.
To date, Renaud has still not been heard by investigators.
At the same time, reports continue to flow.
Ligonnès seen in Mulhouse, on the four lanes between Saint-Brieuc and Rennes in a Peugeot 308 and overtaking on the right, Ligonnès seen again in Tunis and Toulouse.
Ligonnès seen, but never caught.

Next Section-Part 2D
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American Casino.mov - YouTube

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